The CD tracks are listed according to title / style / composer / year recorded Tumbao catalogue number for duplicates.
Arsenio studied traditional drumming and percussion.Sítios: Miembros: Alfredo Saenz, Anselmo Sacasas, Felo Martínez, Guillermo Portela, Liduvino Pereira, Luis Suao, Miguelito Valdes, Walfredo De Los Reyes II, variaciones: Verlas todas, orquesta Casino De La Playa.Arsenio was never to return home, and died in obscurity on 30 December 1970 of pneumonia, in Los Angeles, California.Later he added a third trumpet and a tumbadora (a big conga drum).Arsenio Rodríguez was born Ignacio Loyola Rodríguez Scull on in the village of Güira de manual poker Macurijes in Matanzas (Some sources say but he himself had written to the registrar to correct his birth certificate).Arsenio moved to Miami but (not surprisingly) didn't like it; then to New York where he was more at home, and he continued to record sporadically though his groups lacked the cohesion of his conjunto in Havana.Valdés and his pianist Anselmo Sacasas moved to the USA in 1940 and were hugely influential, perhaps most notably on Desi Arnaz who modeled his style on Valdés, even adapting his trademark song "Babalu.".At age 7 he was kicked in the head by a horse which caused the loss of his eyesight.Casino De La Playa, Orquesta "Casino De La Playa", Orquesta Casino La Playa, Orquestra Casino De La Playa.The essential discs are the Tumbao Classics series for the Cuban material.Then he opens his eyes to abnormal width and sticks out his tongue, to symbolize a fiery belch of flames, and raises his thunder-axe on high and clamps his other hand upon his scrotum." - Fernando Ortiz, Los Bailes y el Teatro de los Negros.
The New York period is well served and some of the tico reissues (those that are not plagued with bad sound) are also crucial.




After some line up changes, Cascarita and Dámaso Pérez Prado were incorporated in 1945.From his guest spot with this big band, Rodríguez had the idea of turning the typical sextet into a conjunto by adding a second trumpet and a piano.In 1937 Casino de la Playa's singer Miguelito Valdés recorded two of his songs: "Bruca manigüá (TCD003) and "Ben acá tomá." Casino de la Playa recorded four more Arsenio compositions in 1938: "Yo son macuá MLN55004 "Fufuñando MLN55004 "Yo soy gangá and "Se.There are out of print albums and many 78s not included in this list, but my aim is to help buyers avoid duplicating material in their collection, so I have focussed on CD reissues.The original band broke into two with Chappotín leading chinees nieuw sloten amsterdam one group and the rhythm section regrouping as Conjunto Modelo TCD-059.When a devotee is mounted by the spirit of Shàngó, he charges three times, head leaning, spinning like a ram, towards the drums.His family was of Congolese descent, his grandfather having been brought to Cuba as a slave.He was the fourth of 17 kids in a poor family who worked the sugarcane fields.P-vine in Japan does a great job of remastering many of the originals.He started writing songs in 1928; in the 30s he moved to Havana to seek work as a musician."There is no more vehement nor energetic spirit than Shàngó.Casino De La Playa, Casino De La Playa Orchester, Casino De La Playa Orchestra, Casino De Playa, la Orquesta Casino de la Playa, Orq.In 1942 he had a massive hit with "Como traiga la yuca" which the public rebaptised "Dile a Catalina" from the first line.
Perfil: Cuban orchestra created in 1937 by Guillermo Portela, Miguelito Valdés, Walfredo de los Reyes, Anselmo Sacasas.
In 1940 he made his first recordings under his own name: "El pirulero no vuelve mas (referring back to his hit "Se va el caramelero and "Yo 'tá enamorá." This number is described as an afro : an early example of the roots-based music Arsenio.



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